Twenty-five years after it was discontinued, the Ford Bronco officially came out of retirement in a big primetime reveal in July. While the announcement of the new Ford Bronco family of vehicles was not free of controversy or mixed reactions, Ford’s marketing has nevertheless been a master class in how to rebrand a company.
The three media outlets that Ford used to unveil its new line of Broncos—ABC, ESPN and National Geographic—are all owned by Disney. It’s interesting that Ford partnered with Disney for the unveiling because Disney’s own bit of self-rebranding in recent years is quite emblematic of what Ford has done. Disney’s recent modus operandi has been to take their own animated classics, like Beauty and the Beast and Mulan, and remake them into live action films that cater to more modern tastes and sensibilities. Since the original Disney classics were already re-imaginings of traditional folk and fairy tales, you could say that they’ve been remaking their remakes.
A powerful force that works in Disney’s favor with these live action remakes is nostalgia.
Nostalgia is what largely draws older audiences, who first saw the original animated versions in their youth, back into theaters for the remakes, bringing with them a whole new generation to enjoy these stories anew. Just like Disney, Ford has drawn from decades of their own history, heritage and nostalgia. With all things retro being cool right now, and the trend in nostalgia marketing, the timing was ripe for this sort of approach.
The elephant in the room
Of course, there are a couple of big differences between what Disney has been doing with classics like Beauty and the Beast, Mulan, and The Lion King. For one thing, no Disney movie past or present has ever had the cultural stigma attached to it that the Ford Bronco once did.
This is the obvious elephant in the room. Anyone who was old enough during the 1990s remembers that the Bronco is the vehicle that O.J. Simpson, with his friend Al Cowling at the wheel, rode in as they led the police on that infamous chase down a Southern California freeway in the summer of ‘94.
Ford’s solution to this navigating this stigma? Just steer around it. The company has mesmerized the public with words, sights, and sounds evoking the new Ford Bronco’s association with the lore of the great American outdoors and of rugged adventurism, in the process getting them to forget the crisis that gripped the nation decades afo. The vehicle’s own chronology makes this a pretty straightforward affair since the Simpson incident occurred in ‘94 and the 90s are not an era that evoke the Bronco’s nostalgic history anyway.
Simply snipping that era out from the proverbial film reel has therefore been a natural and logical move.
Ford’s master stroke has been to combine this retro nostalgia with the sex appeal of high tech features like the new Bronco’s Terrain Management System, its next-gen SYNC 4 infotainment system, and a multi-function color LCD instrument panel visually inspired by the first-generation Bronco, masterfully playing on the theme of retro cool-meets-modern swag, and tapping into the market of younger generations, many of whom don’t have any memories of the infamous freeway chase to begin with.
In the same way that the rebranding of Disney is paralleled by the rebranding of the new Ford Bronco, the latter is also paralleled by Ford’s company-wide rebranding. Since the late 1990s, Ford’s market share has been on a steady decline. Eventually, Ford faced the same dilemma that many large companies with long histories have to face during changing times: whether to stick with the tried-and-true or to risk something new. With the former, death might come slower but it’s almost a sure thing, while the latter risks a faster demise, but also provides opportunities for growth. Blockbuster Video is an example of a company that stuck with what it knew and is now a fossil of a by-gone era. Ford, on the other hand, has been taking some bold risks and rebranding itself in the process ever since its change of leadership in 2019.