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Inside Saatchi and P&G’s Clever Super Bowl Takeover
By: Adweek
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It’s an early evening in January, and David Harbour is already in his pajamas, lying on a mattress without sheets in a country club just outside of Los Angeles. Moments before, he had been jumping on the bed like a giddy teenager at a slumber party. He turns to his side, looks over his shoulder and, with a dreamy-creepy smile, takes a deep breath before earnestly exhaling, “Tide.”

This is the task that Harbour, the actor best-known for playing Jim Hopper on Stranger Things, has been given by Tide and Saatchi & Saatchi New York. It’s the second day of a four-day shoot for Tide’s Super Bowl campaign, and Harbour has already performed many scenes that are arguably just as surreal. (After the jumping, Harbour grabs a white rose from a vase, mugs for the camera and eats the entire flower—chewing it slowly, as if it’s a large wad of rose-flavored bubble gum.)

The point isn’t so much to get weird with Tide—though that’s certainly happening—but to give each moment some semblance of truth so that Saatchi & Saatchi’s punchline lands.

Tide’s wildly ambitious plan is much more involved than your average Super Bowl spot. The detergent brand’s goal is to take over the Super Bowl with a campaign that positions Harbour as an omniscient narrator of sorts, asking Super Bowl viewers to question every ad they see—because if you’re seeing clean clothes, you could be watching a Tide ad.

To accomplish this, the company bought an ad in every quarter—a 45-second establishing spot in the first quarter, along with 15-second ads for each of the following three quarters. Tide then filmed each scene as a separate short spot in the genre of whatever product it’s pretending to pitch. There’s a car ad, a beer ad, a deodorant ad and a half-dozen others, all of which, through various twists, turn out to be pitching the same laundry detergent.

“It’s wildly self-aware,” Harbour tells Adweek in between scenes on set. “The fact that you have this character who’s sort of this Rod Serling of The Twilight Zone of advertising, sort of coming in and being like, ‘Wow, maybe every ad is like a Tide ad,’ and then he pops up in all of these different ads to kind of reveal to you that what you think you’re watching is not actually what you’re watching.”


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